Chapter One · Before the booth

Once upon a time…

In a small bedroom in Seoul, a cassette player played every night. It was my mother’s way of teaching me English — and her way of hoping I would branch out further than she had, free from the chains that kept her from dreaming bigger.

Out of that little machine came Jesse Bernstein, reading Percy Jackson and the Lightning Thief, and every night it swept me into a completely magical world, full of new languages, places I had never been, and characters far beyond my imagination.

By morning I would wake and breathe that same magic into my Barbie dolls, my mother’s lipstick, the scraps of toilet paper lying about my room. It took the shape of brave heroes, of a magic wand that opened portals to new dimensions, of falling snowflakes that never melted. The blankets came to life as a fortress guarding my magical kingdom — and inside it, I invited my parents to be the audience at my first-ever stage.

I wasn’t just playing. I was building entire universes.

I never really stopped. Every place I have lived, every experience, every person I have met has shaped some part of my voice — and every language I carry has taught me a new way to listen.

Director of bedroom-floor epics
Age very small · Seoul

A voice that travelled

Seoul
The beginning — telling stories long before they could be a career
Chicago
The training — a B.A. in Theatre at Northwestern University
New York
The discovery — performer and playwright, then a door into voice over at a Ripley-Grier workshop
Singapore
The connection — translator, interpreter and English teacher
Korea · now
The next chapter — every place and person carried into the booth

As a voice-over artist, I continue the journey I began as a child, inviting listeners to come along. Through my voice, I bring life to a long car ride, warmth to a quiet room, or company to a lonely afternoon, unfolding new worlds behind closed eyes.

The magic that once carried me to sleep is the same magic I now share — shaping words into worlds that stay with listeners long after the last line.

Chapter Two · Off mic

Voice actor, and a very curious human.

Always trying something new, studying the way people think, or turning last night’s dream into a story.

What fills the hours between takes

  • Stage & screenTheatre and acting, on and off camera
  • Drawing & animationIllustrating worlds in Procreate, then setting them moving
  • Art & costumeMaking things with her hands since the bedroom-floor days
  • TravelCollecting stories everywhere — despite the airplanes
  • Languages & instrumentsAlways another one part-learned
  • The human mindReading about why people are the way they are
  • An ongoing searchCoffee shops with her mom, hunting the ultimate hot chocolate

Moving pictures

Acting reel
An animation, built from her own drawings

Chapter Three · The professional

Playful spirit. Serious craft.

Curiosity may lead the way, but every performance is grounded in theatre training, disciplined preparation and a collaborative process.

Training

Where the craft was learned

B.A. in Theatre
Northwestern University
Voice over
Elizabeth Bunnell · Piper Goodeve · Emily Woo Zeller
Stage
David Catlin · Cindy Gold
Screen
Stephen Cone · Kim Plumridge
Speech & Shakespeare
Linda Gates
Voice · Mezzo-soprano
Nicole Benoit

Bonus chapter · Esme’s corner

Esme the cat
Esme · official booth critic

Every star needs a demanding agent.

My cat would like you to know she’s also accepting bookings. Her range? Mostly meows.

I’m five. I love tuna, cheese, cardboard boxes, and ignoring your calls. My rate? One 25g can of Fancy Feast tuna per hour. Serious meows only.Esme, feline voice talent

Fine print No other cats in the booth. She has standards.

There is more, if you keep turning.

Commercial, audiobook and animation demos are all a page away.